WRITTEN WORD ART

ISSUE 1 / MARCH 2021

The things we can’t hold on to

By Endi Simon

When I was in rehab several years ago I vividly remember telling my therapist how afraid I was to get sober because my art is birthed inside my darkness. Who would I be if I allowed light in? How could I possibly still create? I can tell you now that sobriety does not eradicate our painful past or our beautiful darkness. Sobriety has freed me to explore the multitude of color gradient that resides in my bones, and have compassion and understanding for each and every part of that spectrum.

 
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Rorschach

By Amanda Baulcombe

I wrote this after I confided in my family about my struggles with addiction. They couldn't see the pain I had put myself in and just focused on celebrating my successes. It represents our internal perspective and a hope for the future.

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The Lotus

By Danielle Adams

I wrote this piece after finding a hand-painted photo of a lotus flower by the Japanese artist, Ogawa Kazumasa from 1896. Something about the colors: the blues and soft pinks, reminded me of a picture that I recently found of my mother and father in the hospital room where I was born---the blue tile on the wall, the slight warmth of the noon-time sun, and me--just born in my mother's arms. It represents the innocence from which we all arise and the place of beauty that is still within. It's sobriety, it is the place to which I am learning to return. @heart.visions

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Beginning - Day 294

By Hilary Vreeland

I wanted to give voice to a stage of my sobriety that surprised me: beginning the deeper work of sober living after hundreds of days of not drinking. This poem delves into those mixed feelings of exhaustion, anger, hope, pride, and gratitude at the chance to begin again.

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Dry January

By Anonymous

As I enter my first ever attempt at sobriety, I'm attempting to reconcile my past with my newfound goal.

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A Generational Curse Broken

By Courtney Corbeil-Sluz

A short poem written about the silence & shame I felt around alcoholism in my family, and my desire to change that for future generations.

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And This

By Saratoga Schaefer

These three poems represent different stages of my recovery, starting with the depths of addiction and gradually becoming more hopeful as my sobriety journey continued. I have a chapterbook of poetry that is about recovery and sobriety on Amazon called BEAUTIFUL AFTER BREAKING.

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Snowflakes

By Saratoga Schaefer

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The Resilience of Plants

By Saratoga Schaefer

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How Sobriety Birthed My Creativity

By Amy C. Willis

This non-fiction piece is about my journey to understanding myself as a creative person which only became possible through my sobriety.

I never really thought of myself as a creative person. In fairness to my badass, creative self, I think I previously held a really narrow understanding of what creativity looked like. For the longest time, I viewed it purely from the perspective of being an artist in the traditional sense. I can’t draw to save my life, I don’t make sculptures or installations and the only painting I’ve ever done is on the walls of various apartments over the years. It’s pretty comical to look back on my incredibly restrictive definition of creative and because I didn’t fit within it, I discounted myself from the category entirely.

 

Creativity shows up in many different forms and takes innumerable shapes. Now, creativity for me is making something out of nothing. Putting something out into the world that didn’t previously exist, which can take the form of drawing, music, poetry, non-fiction writing, photography, sculpture, a website, performance art and the list goes on. Some dictionary definitions still allude to creativity happening in artistic or professional arenas, and always involve original thought. While these definitions are fine, I like this definition, from Merriam-Webster, best: creative (adjective): marked by the ability or power to create. Also from Merriam-Webster: create (transitive verb): to bring into existence. What I like most about this definition is that it’s inclusionary; everyone has the ability and the power to create.

 

When I reflect on what my capacity for creativity was when I was drinking, I can’t help but feel it was immensely muted and watered down. Only because I am now on the other side of my drinking and in a place where creativity feels utterly abundant can I recognize that I wasn’t experiencing my innate creative flow to my fullest capacity. And to be brutally honest, no fucking kidding. How on earth could I expect myself to tap into my innate creative genius when I wasn’t tapped into any other part of my authentic self?

 

That’s what drinking was for me. It was a tool I used excessively to numb myself and to create space between myself and my feelings; it was a tool to disconnect. What I learned by living through it and reflecting on it, is that when you numb one part of you, it has a ripple effect. Everything is muted and numbed. It can’t be done selectively. In other words, I couldn’t numb my intense feelings without also numbing my creative capacity. And that’s what I did. Repeatedly and for years.

 

Since getting sober 4.5 years ago, my creativity has slowly but surely returned. Some days, it pours out of me like molten lava. That’s not to say that every day I exist in creative flow; like everything else, it ebbs and flows but what’s most important is that it’s back and I am back and able to access it. When I was drinking, there was no ebb. Or flow. Just a disconnected, foggy-minded, whittled down shell of me. She wasn’t creating because she wasn’t present. She didn’t know who she was.

 

When I think about my drinking days, one of the things that I noticed (and what so many clients have shared) is that drinking takes/took up so much of their time - thinking about when they can drink next and counting down the minutes, planning what those drinks would be and who they would be enjoyed with, how to keep the booze flowing, the actual time spent consuming alcohol plus the time spent (and wasted) hungover and recovering from what they had done the previous night. Reflecting back on this, being in my active addiction was not only all-consuming but utterly exhausting. In such an exhausted, tuned-out state, it makes sense that I had little time or capacity for creativity. As you might expect, in the early days of my sobriety, I found that I had a lot of time on my hands as I had removed the thing that had been consuming my time, attention, energy and focus for years. This allowed for lots of time to reflect but what this also introduced into my life was boredom. A lot of it.

 

As a person, I generally used to despise boredom. Admittedly, as someone who mostly has a full life with lots of interesting projects and people that I put my time and energy into, boredom isn’t something I experience too often. Boredom plays an interesting role in its relationship to creativity and sobriety. For many people, boredom is entirely intolerable and as a result, they often end up drinking more in an effort to combat this experience. This has never been more true than during covid, where boredom is cited by many as one of the primary factors driving their drinking behaviour. For example, in the early days of covid, 44% of Canadian women surveyed cited boredom as the reason they were drinking more now than they had pre-covid.

 

What’s interesting about boredom is that it’s often necessary for creativity to blossom. Let’s think about that for a second: when we feel boredom coming on, what’s our immediate response? We likely reach for our phone, turn on the tv, text a friend, eat something, drink something, mindlessly scroll social media, repeat. What these activities provide us with is a distraction from boredom but they also create mental clutter, reducing the amount of time and space we give ourselves to mentally breathe, let our minds wander and daydream. And in many cases, creativity sparks in those open spaces of mental wanderlust.

 

Sobriety presents us with a unique and magical opportunity to embrace boredom as a direct avenue to foster and cultivate the creativity that lies within us all. As someone who has come to value my creativity infinitely, this perspective on sobriety, boredom and creativity feels incredibly helpful. If you’re someone who is looking to expand and enrich your creative capacity, ditching the booze is a helpful first step in this deeply rewarding endeavour. The relationship between sobriety and creativity is cyclical, supportive and mutualistic; sobriety supports creativity and creativity serves as a healthy outlet in sobriety.

 

As a sober creative, in the last 2 years alone, I have written almost 50 articles, designed and built a website, built a business from scratch, created numerous videos, developed coaching programs and offerings for my clients and the list goes on. Thank goodness I ditched my traditional definition of what it means to be creative and embraced a more encompassing, holistic version. And thank goodness I ditched the booze. My drinking kept me disconnected from myself and subsequently, my creativity. Now, I create therefore, I am creative. And this is 100% made possible through my sobriety.

 

As a drinking person, I discounted so many parts of myself. I wasn’t confident in myself. I didn’t trust myself to make decisions in my best interest or believe I could handle the aftermath of those decisions. I didn’t think I could manage big, intense emotions. I didn’t think I was creative.

 

By returning home to myself in my sobriety, I forged a connection to my creativity as well. Sobriety has offered me the gift of presence, groundedness, authenticity and has allowed me to remember who the fuck I am. This version of me, who shows up unapologetically as exactly who I am, is the version of me that oozes creativity.

 

The point is this: I completely dismissed many key parts of myself because of my relationship to drinking. Those parts of me were disconnected and I didn’t nurture them because I didn’t think there was a point. Only through my sobriety, have I not only reconnected to these essential parts of myself that make me me; I’ve also learned how to harness them so that they serve me. Knowing what I know now about myself and more broadly, what I have found in sobriety, there is no way I’d return to a life that watered down and made invisible these vital parts of me.

 

My question to you, then, is: what lies within you that you’ve been hiding and are you willing to go looking for it? What “truths” have you been telling yourself for years that might actually be lies and are you willing to embrace the whole, real you? What would be possible for you if you weren’t drowning in a sea of alcohol and are you willing to step into that possibility, even if it’s scary? What lies beneath the surface and can you look below? Aren’t you just a little bit curious and will you step into that curiosity?

 

I bet the multitudes you contain will surprise you.

 

 

JOLENE

By Susan Schuler

I wrote this piece to honor those who I have loved and lost, but cannot forgive.

I stood in the driveway, looking up at the tiny cottage Jolene called home. Its vacant stare glared back at me, asking what the hell took me so long. From behind the house, I could hear waves lashing at the beach where my twin sister spent her final days, gazing at the water through milky, distant eyes.

            The last time I found Jolene out on that beach, her thin body had gone beyond frail. When I wrapped my arms around her, she felt like a tiny bird pinned against my chest. I held her close as she placed a kiss on my cheek. 

“I love you,” she whispered into my ear.

I found the spare key in its hiding place and let myself in. Sunlight slanted in through the windows and illuminated the paper butterflies hanging from the ceiling. Each delicate one hand crafted and positioned by the hospice nurse who cared for Jolene when she could no longer care for herself. My sister told me the nurse had her own set of hidden wings, because only an angel could be so caring and selfless.

            That same butterfly nurse stood by my side as strangers drifted through the funeral parlor, offering condolences and memories I did not share. Together, we watched as each mourner knelt in front of the carved wooden box, only the two of us knowing the casket was empty.

The cottage’s tiny living room was a shrine to Jolene’s collection of spiritual decorations, all of them inscribed with words of encouragement and inspiration. Poems and prayers plastered every wall, every surface, every pillow.

She spent a lifetime collecting all those words, a lifetime much longer than the doctors predicted when she came out of the womb with half a heart, followed by her unexpected and entirely healthy twin.

            My eyes drifted to a set of open French doors. In the sunroom beyond them, I saw the collapsed metal frame of Jolene’s hospital bed, crouched in a corner like a dead, dried-up spider.

             The house no longer felt comfortable. With an afghan wrapped around my shoulders, I found the path to the beach, overgrown and narrow. I thought of Jolene, following this path every day she was here, the last of them in the arms of the butterfly nurse.

I slid off my shoes and walked on cold sand. Patches of salty plants bordered the shoreline, brittle and dormant in the gray of April. Soon they would transform back to life and beckon an unusual variety of butterflies. Hundreds of them came to rest and feed on the thorny vegetation, taking a break on their path of migration. The Monarchs were always Jolene’s favorites.

            The ocean had begun its retreat and I knew the low tide would leave a bunch of used up sea junk in its wake. The regurgitated stuff the water no longer had use for. The thought brought back that final memory of my sister. 

            She sat with her back to the ocean, curled up in her chair and wrapped in a butterfly printed shawl. Her lips moved around words I could not hear. I leaned in and followed her gaze to the swarm of Monarchs hovering above a thatch of milkweed.

            “Angels,” she whispered as her far-away eyes found mine. “Angels are here to take me away.”

            I wrapped my arms around her and hugged her tight as she placed that final kiss on my cheek.

When I lifted her from her chair, her weight barely registered in my arms. I carried her into the ice-cold sea, cradling her until I could no longer keep her above the water. When I let her go, the ocean claimed her, leaving behind the butterfly shawl to float on the surface like a rare jellyfish. I watched as Jolene’s body drifted away, knowing it was time for those angels to come find her. 

The night turned pitch black as I made my way back to the cottage. Upstairs in the attic I chose my usual room, decorated with the faded images of a children’s book. A candle sat on the bedside table next to a box of matches. The flicker of its flame kept me company as I finally found sleep.

            The sound of a breath and the smell of the extinguished wick woke me from my slumber.

“Jolene?” My voice cracked with hope, my mind still buried in my dream of her.

             At the foot of my bed stood a woman. A woman long decomposed, drenched in sea water, slick with algae, her skin sagging from her salt softened bones.  As she came into focus, my eyes searched her face as my heart begged for her not to be my Jolene.

Her one remaining eye moved beneath a film of gray and white. She opened her mouth, her jaw snapping and breaking, her lips curling and oozing into a death smile. She watched me cringe away from her, tilting her head as if asking me why.

And then she spoke.

The sound of my name in the depths of that voice was too much to bear. I felt an acute pain stab my heart, pressure building. I gasped for breath as I was struck with the panic of fear and helplessness.

Jolene had felt the same. I saw it on her face when she realized I had brought her into the ocean to die. Her eyes came to life with an intensity I no longer knew she had. She reached for me, grasping for my arms, but I pushed her frail body under and held her there, her brief struggle an insignificant flutter against my strength and the pull of the sea.

Guilt and sorrow replaced the selfish illusion I had created about her death, a lie to erase the shame of ridding myself of the burden that was my sister. I stared at the visitor in my room, her skeletal hand reaching for mine. When we touched, my heart seized with pain, and I knew, this time, my version of an angel had come.

I followed my angel down Jolene’s path. The tide was low, and the beach had tripled in size. I crawled along the packed sand, wheezing and clawing at my chest, and when I reached the dark water, I sank into its depths, the pain numbed and subsided. The rhythm in my chest I had taken for granted all my life came to a halt. A final shudder and my envied heart became a dead bird trapped forever in the wrong cage.

Eager waves tugged at my body and drew me into the unforgiving sea. As I floated on my last breath, watching the first beam of light on the new day, I saw, dancing along the water’s surface, one magnificent Monarch butterfly.

 

Unbridled

By Kezia Haynes

These poems speak to my spiritual awakening as I transition into long term sobriety. A return to self. All Written in the first 3 months of sobriety.

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Loneliness

By Kezia Haynes

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Tell Me

By Kezia Haynes

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Routine

By A.Z

This piece explores the ways in which seemingly mundane routines have proven enormously important in my early sobriety. It also touches on the transformative nature of self-kindness and self-compassion.

I tip my laundry hamper over onto my bed—a ragtag collection of clothes tumble out, along with the vaguely pleasant scent that detergent companies have collectively deemed “fresh breeze.” Warmth radiates from the pile as I begin to pick out and fold small items, wondering why I continue to buy impractical lace underwear that only seem to collect holes over their short lifetimes.

So goes my weekend routine, beginning with therapy at five on Friday (as it turns out, being newly sober during a global pandemic means that your Friday evenings are generally wide open) and continuing until Sunday evening when, right on schedule, I realize that I haven’t actually managed to ​relax​ much on my two days off from work. To be honest, I’m still learning ​how to relax. That one would need to learn how to, essentially, do nothing is a strange irony, but my previous experiences with taking it easy have been either:

1) associated with an actual inability to do basic tasks due to anxiety and/or depression.

2) made possible by alcohol’s uncanny ability to turn off the part of my brain that frets about responsibilities and obligations.

With beer off the table (and my mental health in a generally better place), my previously dormant Type A personality has clawed its way back into the captain’s seat. I finish folding my laundry and, prior to putting my clothes away, assemble four or five small stacks each constituting an individual outfit. I tuck these onto the shelf that runs along the top of my closet. I put the rest of the clothes away and, finally, I put my laundry hamper back in its place. It has several large, structurally compromising cracks in its blue plastic exterior, and no lid—the only artifact I’ve carried with me since childhood.

At what point does routine become ritual? Is it when we imbue a routine with certain powers, the capacity to somehow alter our lives? My weekend routines, banal as they are, do impart a kind of magic to my life. I wake up on any given weekday to find a neatly folded outfit in my closet and a prepped lunch in the fridge (that I was the one who put them there detracts only slightly from the wonder). I take refuge in these small gifts I give myself.

It’s true that these rituals, in giving me a sense of control and stability in one small area of my life, help keep me sober. It’s also true that I absolutely would not have thought to allow myself these small kindnesses when I was still drinking. To drink maladaptively is to actively and intentionally forget about one’s future self—to kick anxiety, regret, and physical discomfort down the road, convincing ourselves that the person who has to deal with it all the next morning can’t possibly ​be us.

If one function of the ritual is to generate a kind of power over our lives, another is to ward off that less benevolent form of magic: the curse. I wouldn’t say I come from a “long line” of drinkers so much as I’m just one node on a meandering web of familial addiction, spreading far back into time—a great-grandfather we don’t talk about, an uncle in recovery from meth addiction, my alcoholic father. I imagine this web will continue to stretch into the future, but I like to think that my abstaining punches a hole, weakening its structural integrity.

On Saturdays, I prepare salads. Chopping bell peppers is a certain kind of meditation—slicing the tops off, separating seeds from flesh, chopping them into rough, bite-sized pieces. Cutting a carrot is inherently satisfying; they split like logs cut for firewood, as though there exists a natural line along which they were always destined to come apart. Dicing tomatoes brings me no joy, but that’s on me for not sharpening my chef’s knife often enough. With lunches for the week stacked neatly in tupperwares in the fridge, I take a hot bath.

There’s a reason why the women in so many recovery memoirs cite hot baths as a key part of their early sobriety. Lying in hot water keeps you in one place (i.e. out of trouble) and, despite my mother’s protestations that I’m just “soaking in my own filth,” I always feel like I’ve done myself a kindness after soaking in the tub. As someone who has difficulty sitting still without feeling as though I ought​ to be doing something, I appreciate a defined activity in which the explicit goal is to not do much of anything, except to read quit lit (is it a strange fantasy to hope that, one day, someone reads something I’ve written while in the bath?) and let my mind wander.

That my sobriety (as well as the sobriety of many women whose memoirs I’ve read and podcasts I’ve listened to) is propped up by these small acts of self care is notable, as it

flies in the face of the typical strategies that are commonly employed when undertaking a personal transformation. There’s a pervasive idea that in order to change ourselves for the better—for example, to reach a fitness goal, become more financially responsible, or kick a bad habit—we first have to beat ourselves up or break ourselves down. The expectation seems to be that by mercilessly punishing ourselves when we inevitably fail, we are more likely to eventually succeed.

As someone who has spent years of her life feeling down on herself, this strategy has never worked for me. This isn’t to say that I don’t believe in accountability, or being honest with oneself—I stopped drinking because I was finally willing and able to honestly examine the ways that alcohol was showing up in my life; it was a very uncomfortable experience. As someone who loves endurance sports, I also understand the role that some amount of constructive suffering has to play in personal growth. But I pushed through the painful last mile of my half marathon by whispering encouragements to myself under my breath, and I wouldn’t have been able to make the changes I’ve recently made in my life—both in regards to my relationship to alcohol, as well as my growth as a person more generally—unless I believed, on some level, that I was a capable person deserving of good things.

Sometimes, while writing in my planner or making a grocery list that ends up being virtually identical to my past three or four grocery lists, I wonder if perhaps my life has become too rigid. I know that I have perfectionist tendencies, and I have to make an active effort to go easy on myself, to relax in the few ways I know how. This isn’t to say that I never have days where I can’t get off the couch, or find myself unmotivated—I’m just harder on myself on those days than the average person. This, like the rest of my life, is a work in progress.

That being said, I don’t believe there’s anything inherently wrong with routine in and of itself. I think routine is often (unfairly) conflated with being stuck in a ​rut. Interestingly, the times in which I’ve found myself in a rut are largely characterized by a lack ​of structure. I suppose coming home from work, drinking a few beers, and sitting on the couch while the evening stretches off into a vague oblivion becomes a sort of routine when you find yourself performing it most nights of the week, but it certainly doesn’t

lend itself to creating structure in other areas of one’s life.
My routines help me shape my life in ways that improve my overall

well-being—deciding what to wear first thing in the morning has always threatened to throw me into a spiral of stress and self-criticism before I’ve even left the house, so I circumnavigate the issue by having my outfits laid out ahead of time. They represent stability in a time when things feel decidedly ​unstable. While I know that my carefully laid plans could at any point be tossed asunder, I like the sense of control that these routines afford me—especially as somebody who has historically not had much control over her life circumstances.

Perhaps, as I continue to settle into my sobriety, and we slowly inch towards a post-pandemic world, my routines might relax, or they might not. I don’t anticipate that I’ll ever abandon them entirely, though they’ll almost certainly shift with my priorities. They are an expression of a kind of love and compassion that I would never have imagined I could cultivate for myself. At their core, they symbolize a powerful choice that so many of us make in early recovery, perhaps for the first time—the choice to be an active participant in the construction of our lives.

Circles

By Anonymous

I wrote this poem about falling in love with an addict: the cyclical nature of love, fear, and sadness. It’s a reminder that no matter how much love you have for someone, you may have to let them go, so you don’t lose yourself along with them.

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The Heron

By Miranda Horn

One of the first pieces I wrote at the start of 2020. It's about the struggle of not being drawn into the fantasy of the darkness, and being saved time and again instead by the tiny beauteous intricacies of nature.

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Rome

By Miranda Horn

Written for a dear friend who is/was having an incredibly tough time. A reminder to take it slow.

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Blue Skies Are Coming

By Miranda Horn

Written during one of the darkest days of December. Sometimes we need to be decisive about choosing to see the light.

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"Today I am the Sky" from Save this Spirit Vol 1

By Shannon Smoot

I wrote this piece to remind me of the expansion that exists within each of us when we embrace the flow of our authentic selves. My sobriety has been like a rebirth, new air, much like the sky, freeing yet grounding all at once. @savethisspirit_poetry

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Sober

By Emily Grob

Poems reflecting on pain, love and opportunity for self growth; exploring my identity with sobriety.

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04/05/19

By Emily Grob

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We’ll see

By Yvan Gelbard

I wrote this reflecting on the latest reason I found for living- love/adoration.

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Secret Password

By Molly Sullivan (they/their)

I wrote this during a particularly dark time. I still like it because it calls out my own self loathing while acknowledging that I still long for peace and love. It's also about change and logging the long night of the soul.

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A Cliché

By Molly Sullivan (they/their)

This is something I wrote about 3 months into my sobriety. It is a reconciling. We all create moments of horror and grace, and the hardest part is being able to witness yourself in both.

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